My professional experience for 201MC consisted of fourteen days working in the Touch Radio newsroom and four days working at the Coventry Evening Telegraph. As mentioned in my proposal I had wanted to work in science journalism for my placement. In that respect I failed, but the placements I did get allowed me to compare a career in broadcast with one in print. I took advantage of this opportunity to work out for myself which specialism to pursue.
Quidem Midlands Ltd is a company that runs several “local” radio stations around the Midlands; these are Touch FM, Rugby FM and Banbury Sound. All the shows for the different stations are run out of the studios situated in a business park in Kenilworth, which is where my placement was based. There is one Sony award nominated news team working at the organisation that provides localised news for all the different areas, making it one of the busiest radio newsrooms in the country.
Having completed broadcast modules at university I had a background in the theory and some technical knowledge. This helped me to quickly adapt to the way things were done which proved invaluable for my learning. Because I could get involved almost immediately with scripting bulletins, the entire three weeks was a honing process for my broadcast writing, which I will be able to take with me into next year’s module and potentially further into my career.
I was also familiar with gathering audio, but this wasn’t an area I felt particularly comfortable working in. Having the opportunity to go out with professionals and observe how they conduct interviews taught me to ask the right questions to get the most usable clips, and by the end of my three weeks I was confidently interviewing strangers and collecting quality material.
These are the practical skills I developed, but I feel that more useful is simply the understanding of the industry that comes with working in a professional environment. As the work experience guy, a lot of my duties weren’t critical to the stations output. I did however join the reporters when they covered bigger stories, for instance the sentencing of axe-murderer Michael Kelly.
Acting as a passive observer I got a real feel for how the media works in these situations, not just in court reporting but at any event that receives press coverage. While it’s not a tangible thing, seeing and being amongst the interaction of journalists and press officials was definitely a valuable experience.
Touch is a commercial radio station and the priority is entertaining its audience with music and banter. The news team output is limited to two minute segments several times a day. While it’s a skill to get the day’s important stories into these two minutes, the process often focuses on presentation more than content. As such, Touch FM will never break a big story, because it simply doesn’t have the time or resources to research them. One of the reasons I want to be a journalist is so I can be informed and be up to date on the latest news all the time. This is impossible if my focus is on presenting rather than news gathering.
This was really made clear when, by chance, when returning from an interview the reporter and I were some of the first to arrive at the scene of a traffic accident. There were two deaths, and a busy road had to be closed for ten hours. We drove away, rather than find out what was going on so we could report it and warn people about the road closure. Obviously there are boundaries, and we could not deal directly with those who were involved in the crash, but it did feel as if we were just going to leave the incident to the “real” journalists to report.
When I then moved to The Coventry Evening Telegraph and settled into the role it was far closer to my expectations of working in journalism. Working there encouraged taking the initiative, being creative and using intelligence. Because it’s based in Coventry it was easy to make the most of my time pursuing my own stories as well those I was asked to cover.
Also the research was a much more interesting process. I was fortunate to work with the Political Reporter, Les Reid, during the time he broke the story about a potential Coventry enterprise zone and the 10,000 jobs that could be created because of it, before the people responsible wanted the information in the public domain. Having the right contacts and asking the right questions got a big story that was valuable information for the people of Coventry. This was far more in keeping with my ideas about working in journalism.
As well as being a better fit for my interests working in print gave me the opportunity to publish my work in a hard copy format. Several stories, some with my by-line and some without, have been published or are going to be soon. This includes a double page spread feature I produced with a work experience photographer. While the story wasn’t hard news, I’m still proud to have gotten so much of my work in the paper in only four days.
I think that separately the placements would have been great experience in working in media. Both have improved my understanding, style and technical ability. I think, however, that the real value of the placements was in taking them both at the same time to compare the different formats. I thoroughly enjoyed working in radio, and it offered me the opportunity to meet interesting people and get involved with the showy side of reporting. Working in print is more stressful, challenging and demanding, but is ultimately more rewarding and grants a degree of job satisfaction that I could not achieve working in broadcast.
This module has thrown into the spotlight some glaring gaps in my skill set. Writing for broadcast requires a formula which takes skill to perfect but is ultimately non-personal and simplistic. By the end of three weeks the news editor was giving my work glowing reviews, which was flattering, but also tainted with the knowledge that I had to shed style and substance to get to that level.
Writing for print allows for a certain amount of creativity within the boundaries of truth telling and accuracy. I think this is where Journalists develop their “voice”, and working at the telegraph showed me how much I need to work on balancing writing style with coherent story-telling. This is an incentive to work next year on my own projects independent of the Universities requirements.
Regardless of specialism it is vital that I pass my driving test. There is a lot of travelling involved in journalism, but I only now realize that to get by without transport would be completely impractical.
Also working at the Telegraph has renewed my efforts to learn shorthand. I now know that simply passing the Add-vantage modules will not suffice, and I’ll take Les Reid’s advice and revise half an hour daily until I get up to a realistic word per minute count.
To conclude, these eighteen days, without a doubt, will factor into my future career decisions. They’ve also helped me feel confident and prepared for professional life, and my thanks’ goes to everyone who I have worked with.
